It follows the story of middle-aged office workers struggling to survive in a turbulent workplace.

Seven men, all city-dwellers aged between 17 and 70, with nothing in common apart from the fact that they are all on the verge of a nervous breakdown, meet up at a lonely sta- tion for an unusual course in the wild that is supposed to get them back on their feet. Each step in this boot camp, designed by an eccentric and feisty female coach, aims to reveal them to themselves. The task seems to be a tough one, especially as nothing goes as planned between these men.

Rebeca murders her sister Adriana to end up with the man she loved, and becomes the step mother of her niece Lucía. Nora, Lucía's half sister and daughter of Rebeca, resents Lucía for the same reasons Rebeca hated Adriana, as history repeats itself.

In a small hamlet in the Colombian mountains, a newly appointed padre Father Gabriel finds himself torn between his spiritual calling and his desires for a young woman named Silvia, while also trying to protect his congregation from being drawn into the increasingly violent battles between the government military and rebel forces that surround the town.

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A lonely photographer gradually develops a rather unhealthy obsession with a young woman he once met by sheer chance.

Hope Williams, a successful ER doctor, reluctantly meets an accomplished artist on a girls night out. He is everything her past lovers were not, and he forces her to discover a side of her that she never knew existed. As Hope’s sexual life steams up, her work takes a turn for the worse when an abusive husband of a battered patient blames her for his misgivings. Soon, Hope’s personal life becomes entangled with her work life, and both are put at risk

Tongue in cheek teleplay adaptation of Bram Stoker's Dracula.

The story of Joan of Arc is one of the most frequently told tales in cinema’s 100+ year history. This version is a postmortem/postmodern collaboration between Carl Theodor Dreyer and Marie Losier, who inserts herself into the 1928 film as God’s greatest lover and France’s most cherished martyr.

The story of Joan of Arc is one of the most frequently told tales in cinema’s 100+ year history. This version is a postmortem/postmodern collaboration between Carl Theodor Dreyer and Marie Losier, who inserts herself into the 1928 film as God’s greatest lover and France’s most cherished martyr.